Updates on Production

IHTSBIH opens September 25th

May 28, 2009

FINALLY!
No one has been waiting for this longer than me:
The movie I Hope They Serve Beer In Hell opens for wide release on September 25th, 2009.
Put it on your calender, write it down in pen, that is our opening date. It’s not going to change.
Now to the obvious questions:
-How does this affect The IHTSBIH Premiere Tour?
Since lots of schools start in mid-August, we are going to start the tour in late August and run it all the way up to the release, and maybe even a week or two past the release. We are figuring where we are stopping and when right now, and will post that info ASAP.
-How many theaters/screens?
No idea. We may do a slow roll out, and hit the 50 major markets first before going super wide. We may just go straight wide. This will be figured out in the next few weeks, but if you live near a big city or college town, you should be covered fine from the get go.
-When does the marketing start?
You mean aside from the marketing I’ve been doing for over a year on this blog and other places? Well, you will see a media push start about a month out, and the big media dump about ten days out from release. Commercials, print ads, billboards, all that shit starts light in August, and gets heavier as we get closer to September 25th.
-When is the trailer coming out?
Start to ask about it again on July 4th–if it’s not out by then, we missed our internal deadline to have it done. Hopefully this will be the first deadline we hit on time.
I am so fucking excited. Goddamn I have waited for this moment–locking down a release date is so fucking important in so many ways. I’ve been like a thoroughbred in the starting gate, chomping at my bit and anxious to go, and the gates just opened.
119 days to the finish line.
Awesome.

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Yes, we showed the movie in Cannes

May 27, 2009

This is already out of the bag in Hollywood, so I might as well talk about it:
OK, so I think I may have kinda lied to you guys, but not on purpose. I have said in the past that we weren’t taking this movie to any film festivals to try to get awards or to get distribution, since we can get distribution without it. And that’s true–we didn’t need to take it to a festival to get distribution. DOMESTIC distribution, which is all I really care about.
But, in order to get foreign distribution, the decision was made by Darko to take the movie to Cannes and screen the movie for buyers. None of us went with the movie to do the Cannes thing, because it wasn’t in competition and we’d already secured domestic distribution and this was just a screening for foreign territory buyers, so the only person to go with the movie was our foreign sales rep.
Now, every person who works in movie sales is, well…to put it politely, a salesman. This includes our foreign sales rep. Of course he told us that the movie killed and got tons of laughs and everything is sunshine and kittens, but I stopped listening to sales guys at least two years ago. It’s not that I thought he was lying, but it’s his job to hype the movie, so I discounted his comments as salesman puffery. Plus, comedy rarely if ever translates between cultures, and this comedy especially is very American, so I had emotionally checked out of the foreign market long ago. If we do well there great, if not, whatever.
Then, last week I got this email from my assistant on the movie, Greg:

“I’m sure you already have heard this, but someone I know from school just told me BIH played super well at Cannes. Apparently, it was the one movie in Cannes that all the assistants wanted to get into. Sold out the market screening and “had a lot of laughs.” Just FYI.”

Wow. Assistants flooding a movie in Cannes? That doesn’t happen. But one report is just that: one report, especially when it comes second hand. Then yesterday I got this email:

“I saw your movie at the Cannes Film Festival. I was an intern working under the American Pavilion there and a bunch of us interns went and saw the first screening. My friends and I were the first ones there because we wanted to make sure we got in after the marketers. Anyways, thought you should know that I am pretty sure it did well due to the fact that all the interns are college students and the majority of us have read your book. In fact, because we liked it so much, one of the marketers actually turned around and asked us if we had been paid to go and watch the movie. Clearly this guy was not in the demographic the movie was trying to reach. Lucky for you, the interns were there to make sure that your movie was received well by everyone in the screening. Thought you would like to know since I am pretty sure you weren’t in Cannes (though a few of us were looking for you just in case you were).
The movie was great and I will make sure to tell all my friends to go see it.”

I have since talked to two other people–the only two people I know who were in Cannes–and both said they had heard similar things, with one even saying his assistant was one of the ones who went to the screening.
We did sell some territories, and are in the process of selling a few more, but I am not allowed to talk about the specific foreign sales results yet. But I don’t really care about that aspect of this situation–who in America cares about foreign sales (except the people who have points on the movie, of course)?
What really makes me smile is that, without any press or buzz or promotion, both screenings were packed with American assistants, to the point where the marketers thought we paying people to show up. You can’t buy that sort of excitement. You can only get it by making something great.
I keep telling you guys, the evidence is there to see this, you just have to know where to look:
This thing is going to be so much bigger than anyone is predicting right now.
Well…anyone but me.
EDIT 1: And yeah, I guess Charlie Hoehn predicted it too.
EDIT 2: I wasn’t going to mention this, but fuck it, I am too arrogant not to:
David Zuckerman was the first one to say the words “oscar” and “screenplay” to Nils and I in the same sentence. I scoffed at him, thinking he was just being nice to me.
Well, I have had someone else say that. Not to me, but to other people. And not just some scrub, but someone who has an idea of what they are talking about. Their exact quote was something to the extent of “sleeper nomination for best adapted screenplay.” I wasn’t there, I can’t confirm this, but…I was told this by someone who has no reason to lie to me.
Look, I expect massive, massive commercial success for this movie. No theatrical gross you could tell me would shock me for this movie. But any sort of awards-type recognition–that will shock me. I would be blown away by an MTV movie awards nomination, much less a real awards show nom. Not because I think the script doesn’t deserve it, but because we are such outsiders and because this movie is so different in so many ways, I just don’t think it’ll happen. I would take any bets against that happening. No fucking way the Academy is going to nominate two random guys who made an indie movie and aren’t even in the WGA. No way.
I don’t expect any recognition of my work–book, website, movie, whatever–ever from any mainstream organization of any sort. At least not for a long time. But that’s OK–as long as fans love it, I am happy.
EDIT 3: Someone sent me this link, which is from the LA Times movie forum. No idea who wrote that.
EDIT 4: I guess Bunny was actually the first to tell me that our script would get Oscar attention. But she is kooky and usually way far ahead of her time, so I never pay attention to her predictions.
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One year ago this week

May 26, 2009

I just realized this: One year ago this week we signed the deal with Darko. Here are the two posts I wrote about it:
The die is now cast…
Darko to serve Tucker Max’s ‘Beer’ [published in June, but we signed the deal on Memorial Day Weekend]
That’s fucking crazy–one year ago this past weekend we signed the deal, and now we have a finished movie that’s coming out in September (or October, decision coming Thursday). It seems like five years ago we did that. I have lived a lifetime since I put that post up.
I was going to write this piece about what I’ve learned in the past year, but that is a book not a blog post. I doubt I could even fit what I’ve learned in the past month into 10,000 words. It’s crazy how much you can learn when you stop thinking you know everything, when you finally abandon whatever pre-conceived notions you have about how the world works, and instead of fitting facts into theories, you start to form theories around facts, constantly challenge them with new facts, and change them as facts change. When you recognize that what you don’t know is vastly greater than what you do. When you realize you don’t know anything.
I read The Apology my freshman year of college, and I thought I understood it. I thought I got Socrates point that only by admitting fallibility and lack of knowledge can you really understand anything. And of course I read Nassim Taleb’s books, Fooled By Randomness and The Black Swan, and I thought I got his points about uncertainty and risk governing our lives.
Well, maybe I got it in an intellectual sense, but definitely NOT in a real, visceral sense. I mean come on–no one on earth was more arrogant than me in my twenties. I thought I had learned that lesson by the time I published my book, but I don’t think I really learned the humility that comes with understanding your place in the universe in any true way until this past year. The events of this past year (making a movie, falling in love, starting counseling, etc, etc) burned a lesson into me I will always hold in the front of my mind:
No matter how smart or right you think you are, never forget: What you don’t know is infinitely greater than what you do.
And that IS one to grow on, motherfucker.
BTW–Big meeting Thursday, I should have many many more answers for you that night.

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Artists, hypocrites and fans

May 21, 2009

Before I get into this post, a few things:
1. Distribution deal is done, I’ll announce it when I am allowed to. The people in charge of this aspect want to hold off for a few days because of various reasons (one of which has to do with Cannes–info on that coming eventually), and I am so tired of this, it’s driving me crazy. Point is–deal’s done and papered and we’re a complete go for a theatrical release. I am now full time on marketing and it’s nice to not have to think about this anymore.
2. Next week we sit down and pick the final release date. It’s down to two dates, one in late September and one in mid-October. I’ll be happy with either one.
3. I put up a thread where I listed some potential cities where we will take the tour, and where people can give feedback. Feel free to chime in if you want.
But this post is about something else. I got this in a PM on the message board for this blog yesterday:

“Tucker,
Thank you. Thank you for the idea of the tour bus, multiple screenings
across the country, making the extra effort of hanging out to sign
autographs, party, whatever (even if you don’t come to Providence,
Rhode Island, dick).
Thank you for not being a money grubbing cocksucker looking to
maximize profit. Thank you for understanding that $20 to $30 a ticket
might be all your college fans or military fans can afford. Thank you
for not trying to assfuck people out of an extra ten dollars so you
can get a Lamborghini.
You were right when you said you were going to do things differently:
You made this about the fans.
Seriously dude, think about that for ten seconds: Instead of a movie
about the actors or the characters, you made it about the fans.
Instead of stories about how much money you’re making, or the actors
are making, there will be stories about how the fans can benefit.
Your stories are entertaining. They are funny. But without fans, they
are just clever anecdotes to tell your buddies at the bar. You’ve
never lost sight of that, and that is pretty impressive.
In the past 15 years or so, movies did that: They became about the
actor, not about the fans. They became about the franchise, not about
the fans. I hope that your movie is a tremendous success, and I hope
it serves as a wakeup call to the rest of Hollywood that without the
fans, the movie is nothing.
If you want to anonymously post this, feel free. I’m not going to put
it in your thread, because I don’t want it to look like ass-kissing or
nut-swinging like a bunch of others have done all over this board. I
want you to take it as a very personal thank you from me to you,
because you earned it.”

I have gotten like four or five emails and a bunch of comments like that since I posted about the tour two days ago, and I want to address this. I appreciate the comments, but don’t think we deserve praise for doing it this way.
Nils and I sat down a long time ago and talked about this. Before we became writers and producers, we were just normal fans like anyone else, and nothing pissed us off as fans more than when a company or an athlete or a musician would do something that is total bullshit and clearly geared at ripping the fans off in one way or another. Why would they do that? Why would they treat their fans like crap? Don’t they remember what it was like to be a normal fan? Don’t they see that by fucking their fans they are ultimately hurting themselves?
We swore that if we achieved our dreams, if we made it, we would adhere to a very simple rule: Treat our fans the way we would want to be treated as fans, because ultimately, we are fans too. We want our favorite writers and filmmakers and athletes and singers to do great things, we want them to love what they do as much as we love it, and we want them to at least act like they respect us. We don’t expect to get everything free, but we do expect that they try to give us value. We don’t expect them to be perfect in their lives, but we do expect them to care about what they do.
Besides–what other way is there to act? How does it make sense to fuck your fans? Or to disrespect them by producing shitty material? Or to cheat them out of money, or to put price in front of value? How does that make any sense? Just on a fundamental human level, how can you wake up in the morning and look yourself in the mirror knowing that you haven’t done everything you can, knowing that you could be treating them better, but instead said ‘fuck it’ and screwed them anyway? How do you face yourself when you KNOW you’ve betrayed the people who support you?
This is not about making mistakes. Look, I will make A TON of mistakes over the next week, month, year and decade. I am 100% positive I will do stupid things, I will make awful choices that I’ll regret, and I’ll do things that I will look back on and wonder, “What was I thinking?” Believe me, I am acutely aware of how painfully flawed I am.
But we will never not care. We will never not try. We will never mail it in. We will always do everything we can to make the best movies/books/TV shows/whatever we possibly can. We will always try to deliver as much value to fans as possible. We will always treat our fans the way we would want to be treated.
I don’t even see any of this as remarkable. Shit, this is what all artists SHOULD be doing. The fact that we are among the first to explicitly think like this…I don’t know why this is, but I seriously doubt we’ll be in the minority for long. Now that artists and fans can connect directly, and remove the conglomerates and corporations run by suits that stand between them and often are to blame for fans getting fucked, I think we are going to see the whole world of books, film, music and all other art change drastically over the next decade, and for the better.
The Age of the Artist is coming, and it is exciting for me to think about, both as an artist and a fan.
EDIT: Don’t get me wrong–I want to get really fucking rich. I want serious fuck you money, I want so much money I can wreck my first plane and have a second ready to go. But I also want to do it the right way. What good is all the money in the world if you have to betray yourself to get it?
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Announcing: The IHTSBIH Premiere Tour

May 18, 2009

OK, for all intents and purposes, the distribution deal is done, and today we picked a tentative date for the release (yes, it’s still slated for a fall release). Much to my immense frustration, I am not allowed to talk about either until later this week or early next week, but I can make one announcement that I have been saving, and I am very excited for:
Instead of just doing one boring premiere in LA like every movie does, we are going to do 30+ premieres, in different cities all around the country, one each day leading up to the opening weekend.
I am not kidding at all. Nils and I are getting on a tour bus, we’ll start at one end of the country, and finish at the other, stopping at like 30+ cities and schools along the way, giving a special screening each place. And not just some boring screening and that’s it–we are going to have cool schwag bags, do a panel Q&A after each show, stick around and sign whatever and get pictures with people, and even have afterparties in some cities–it’ll be just like a real premiere, except without the lame ass red carpet.
I know all the questions that will be coming, so let me try to preempt as many as possible:
-Nils and I will be at every stop. Matt, Jesse, Geoff, Keri and Marika will stop by at least some of the premieres, depending on the shooting schedules of their TV shows. We will also have a few other people at various shows–for example, I bet I can get Traci Lords to come to at least a few of the west coast ones.
-We haven’t decided what will be in the schwag bags, but the obvious ideas are: t-shirts, movie posters, beer bottle openers, WWTD bracelets, etc, etc. Whatever we do put in the bag will be good quality, I promise. I fucking HATE cheap schwag. Whenever I get shitty schwag I wonder why they didn’t just save their fucking money instead of wasting it to insult me. We won’t do that, I promise.
-We will stay after the movie and Q&A to sign and take pictures with anyone that is wants either. If we do a screening with 1000 people in the audience, and they are all willing to stand in line to get an autograph and a picture with me, then I will be there for a long time. I leave only after the last fan, at every venue.
-Not sure of the cost. Regular movie tickets are usually like $10, and we will definitely charge more than that for three reasons: 1., You are getting to see the movie before it comes out in theaters, 2. You get to interact afterwards with me and Nils and everyone else there, and 3. You get a bunch of cool stuff. We may vary the cost depending on the size of the venue, the demand, etc, but it won’t be exorbitant–probably like $20 to $30 a ticket. [And if that sounds like too much, that's cool, just wait the few weeks until it releases wide and see it for the normal price].
-It will probably take 2-3 months to finalize all the plans, but once we have it all set, we’ll start selling tickets immediately online. So yes, you’ll be able to reserve spots early. We may or may not announce cities as we book them, or we may wait and announce the tour all at once. Whichever way we go, I will let you know.
-I am not sure what cities we are going to hit right now. Of course we’ll hit the obvious ones like Chicago, New York, Los Angeles, etc, but since we are going to focus most of our initial marketing efforts on college and military, don’t be surprised if we have a screening somewhere kinda out of the way, like Fayetteville, NC or Athens, GA.
-I don’t want to promise this, but we will at least TRY to hit one or two Canadian cities. Toronto and Montreal are the obvious choices, but maybe Vancouver or something will make more sense. But worst case, Canadians, don’t sweat it, our movie is coming out in Canada the same time it does in the US.
I am seriously excited about this tour. There are many reasons why, but here’s the main one:
This movie was spawned by a book that started outside the mainstream, that touched on a huge aspect of people’s lives that no other writing really touched on and did it in a way that respected the reader, and I think the movie has carried that mentality on. I know this may not matter much to some people, but I have always loved most those pieces of art that I not only related to, but that I felt like understood me and respected me as a viewer. I know that was the intent Nils and I had when we made this movie; to make a movie that would not patronize people or talk down to them or pander to them. Instead, one that really got at the essence of what it was like to be young and have fun, a movie that inspired people with its authenticity and originality. And of course, is really fucking funny.
I am really really proud of this movie and what we have all accomplished with it, and I can’t wait to share it with fans, see their reactions, and then interact with them about it; answer their questions, hear their feedback, listen to their comments, etc. Movies are interactive in a way that books cannot be, and I am excited to experience real time fan reaction [that's why I wanted to do the surprise screening at Ohio State, for that exact reason].
Ultimately, that’s why you make art–to share it with people so they can enjoy it–and the fact that we are sharing our movie on such a personal and immediate level is fucking exciting. To me, at least.
[And yes, drinking and fucking my way across the country will be cool too. But that's obvious.]
EDIT: Some people have expressed astonishment that we would only charge $20-30, and not more like $50. We though about that, but I feel like $40 to $50 is a bit much, especially in this economy. And since so many of the people going to these will be college students and military personnel, they have the least disposable income.
Plus, though I am certain we could charge more, why squeeze every penny out of your fans? I’d rather charge $30 and have you guys leave feeling like you got a bargain, then charge $50 and have you leave feeling like you wish it had cost a little less.
I even thought about having a special section that pays more and gets better seats or more access or something like that, but fuck that–I think its better to reward the fans who will sit in line for days to get the best seats, then reward the people who will pay the most. We are in this for the long haul, not the short play, and focusing on extracting money out of your fans is the short play. I’d rather focus on maximizing the value of the fans experience; I mean after all, I am a fan of lots of other artists, why should I not treat my fans the way I wish they treated me? To have the chance to do the right thing and then not do it would be really fucking hypocritical. Fuck that.
Yeah money is important, but it’s not the only thing that matters.
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The Celebrity Tipping Point

May 12, 2009

You are not going to believe this. I can still barely believe it, and I was there.
I did a speech at Ohio State on Monday, and it was bedlam. The auditorium was completely packed with fans–that’s normal–but for the first time ever, I had real protesters. And not just a few, like almost 100, and they went fucking nuts. It was AWESOME!
But this was bigger than just having people pissed at me and getting attention. I get that shit on the internet and in the media all the time. This was one of the coolest things that has ever happened to me, because for the first time, I crossed over from cult figure to celebrity. You can tell in the video that I am kinda astonished at the beginning–on stage, watching that insanity play out, it dawned on me that my life had permanently changed. There were so many people there–both fans and protesters–the cops had to escort me out the back because they were afraid a riot would start. That’s insane. This is the type of shit that only happens to famous people. Someone else said it best:

“Feminazis holding signs? Angry hipster-emo dudes wearing granny-glasses at an anti-Tucker rally? Police escorts? Max is now an official rockstar. God help us all.”

The media:
-Video of the beginning of the speech where the protesters keep interrupting me and I mock them
-Video of the protesters before the speech, after the speech outside the auditorium, and later out on the street
-If you can watch this video and not bust out laughing the moment you see the woman protesting me, you are a better person than I.
-A news story about the protest complete with awesome picture
-Another piece about the speech, that outlines what I said.
-Some video of the protesters that someone else took
-The video of the content of my actual speech, Part 1, Part 2, Part 3, Part 4, and the Q&A part 1 and part 2.
-Scan of the handout given to people coming into the speech
-A longer piece that outlines the background issues in this controversy
What’s really fucked up for my fans was that I had cleared it with the OSU administration and I was going to do a secret screening of the movie instead of this speech. I was going to essentially premiere the movie for this audience. But because of the protests and other bullshit, the administration balked and asked me to just do the speech instead.
Man, this movie is going to get so much fucking attention. I am so excited.

[BTW--Today we finally decided on who our distribution partner(s) will be. It's a major, and I think they will be a really good partner for the movie. Before the announcement is made we have to finish the negotiations, but that shouldn't take more than a day or two. I hope--and this is just my hope, not a promise--we'll make the announcement by Friday of this week.]
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EDIT: Apparently, some people are having problems hearing the audio for the speech. We added captions in as many places as we could, but a lot of the crowd noise, we just can’t hear what the protestors are saying. Here is the full text of my speech, if you just want to read it and not watch the videos:

The Ohio State Speech
If you’re here today, I assume you know who I am and what I do. But for that ONE asshole in the crowd who got dragged along with his friends doesn’t know who I am, I’ll give a brief intro:
My name is Tucker Max and I wrote a book called I Hope They Serve Beer In Hell. It details a series of short stories I wrote about drinking and fucking and being a typical guy in his mid-twenties. It’s sold over 800k copies and spent over 105 weeks on the New York Times Best Seller List (for the Comm majors: that’s more than two years). It’s #4 this week, actually. The Times also credited me with starting a new literary genre called “Fratire.” The followup book was sold for what was then record setting advance. The Washington Post said it was the only book that every college student has read. It has become so popular I was just nominated to Time Magazine’s 100 Most Influential People of 2009. I also just finished shooting a movie based on the book which will come out this fall, probably September or October.
That’s the story you know, the Tucker Max the public sees. And based off that, if I give a speech, you probably expect me to tell funny stories like the ones in the book, because that’s what Tucker Max does, right?
Well, yeah, actually it is. I mean, shit man, I’ve fucked a midget, and amputee and a set of twins, raise your hand if you’ve ever done that! There’s no question that when I am out drinking with my friends and have fun, that’s me, and that’s who I am, and those stories are what are in the book.
BUT—That’s not what this speech is about.
You can read all about my adventures on your own time. This speech is about the book, but instead of being about the stories, it’s about the lesson I think you should take from I Hope They Serve Beer In Hell.
Now, if you just superficially read the book, probably all you focus on is the drinking and fucking and poop jokes, and while those are there, they are only the first level of meaning. There’s more to the book than that. Below all of that is my answer to the fundamental question–What are you going to with your life? Ultimately, THAT is what I Hope They Serve Beer In Hell is about:
It’s about living the life that you want to live, not the life others push onto you. It’s about being the person you want to be, not the person other people want you to be, and it’s about enoying the time you have. I convey this message not by preaching it to you, but by showing you how I do it.
I know what you may be thinking, and I actually kinda agree with you: This is not obvious in my reading. All I read was some guy throwing a girls clothes out the window b/c she was so fat he didn’t want his friends to see her. And that’s true, that’s all there, but there’s more to the book than that.
So what I’m going to do is give you some back story to my life and explain the path that led me to write this book, because to understand where I came from is to understand the message of the book:
As a kid, I had an early knack for humor and writing. There was one elementary school teacher in particular who identified it and tried to foster it in me. I also had another teacher in high school who kinda helped me see that I had a talent for writing and told me to pursue it, but I grew up in Kentucky. No one growing up in Kentucky writes or does entertainment for a living. Everyone else around me pushed me to a different path.
Growing up, the expectations around me where that I would be a doctor or a lawyer or a businessman or something that is a typical and easy to understand success like that. So I listened to the people around me and went to hardest academic school I could find to best prepare me for a conventional job: The University of Chicago.
But a funny thing happened as I studied to get that conventional job: I kept writing on my own time. Never because I thought it would go anywhere, but because I loved it.
My freshman year, I started a quote list because one day after I said something really funny at the dinner table, I thought “someone should write that down,” so I did it. I started to think about things I said, and began to try to deliver the best line I could in any situation, so I could have something funny to put on my list.
I also wrote a column for the schools newspaper, The Maroon. The thing I hated about the school newspaper is that if someone wants to read about serious world affairs, they’ll read what the NY Times or the Wall Street Journal says–no one gives a shit about what some idiot 19 year old has to say about world affairs–shut the fuck up.
So instead of being one of those pompous hard-ons, I looked around at the world I lived in and I wrote about that world, calling out specific people and organizations at my school, really not much different than how I write now, just a different subject matter.
Well, the thing blew up. My column became the most read feature the Maroon had produced in as long as anyone could remember. I was a mini-celeb on campus, always causing controversy and getting attention, and even though I graduated top 10% of my class and with highest honors, that column and my quote list are still the things I am most proud of from college.
It came time to figure out what I was going to do after college, for a second I thought about the entertainment business, or something with writing–after all, there was proof I had talent. But this time it took my parents and the other people around me even less time to convince me to not do that, because by then I had really bought into the system, and I let them convince me that to be a writer you had to take writing classes and that being a writer was not an acceptable way to succeed.
So I pushed the thought of writing completely out of my head, and I took their advice and I went to Duke Law School. I even got an academic scholarship to go there.
Well, I hated law school. Not because it was hard, but because it was so easy and boring and pointless. Don’t ever let anyone tell you its hard. It’s not. The only hard part is getting in. I stopped going to class first semester, stopped buying books second semester, and lived in Cancun for six weeks once during my second year.
But, despite the fact that I couldn’t stand the actual school, I really liked my time there because of my friends. I finally had friends who were not only as smart as me, they partied harder than me, and were funnier than me. If you’ve read my stories, you know them by their nicknames; SlingBlade, PWJ, Jojo, GoldenBoy, Hate, etc.
Amazing friends, no real responsibilities, and lots of alcohol and women around. A lot of the stories from my book are from this time in my life, because I was living a life that l loved–doing things I enjoyed and being with people I liked, and it showed.
Maybe because of this, because I wasn’t doing anything besides being the person I’d always wanted to be, writing came back to me with a strength it hadn’t in a long time.
During finals second year, SlingBlade and I were punch drunk in the library after being up all night procrastinating instead of studying, and on a whim I made up a website where girls could fill out an application to date me.
Even though it started a joke, I found myself devoting all my time to it. In one month, I put more work into that crappy little site than I did in all my actual studies over all three years of law school.
Here’s the real kicker: Because I thought it didn’t matter, because I was totally unencumbered by any expectations–because I was free to fail–I let loose on that thing, and my creative energy came forth in way it hadn’t since I was a child. It turned out to be truly, genuinely fucking funny.
Yet despite all this work, despite how happy I was working on site, it never occurred to me that this was a sign of something. I was so blind that a few months later, when we went to our summer jobs in cities all across the country, I took the site down and basically forgot about it. The thing that had brought out the best in me, I ignored. I was completely blind to myself.
But I did keep up with my writing by sending hilarious emails to my friends about all the dumb shit I would do when I was out drinking. If you’ve read my book, you read one of those emails I sent to my friends. It’s in the Charity Auction Debacle Story, the one where I talk about the senior female partner who propositioned me and I turned her down–pretty much the only sex I’ve ever turned down in my life. You know what comes next…
I was fired from the summer associate job.
What was supposed to basically be an extended summer vacation, essentially a no-show job that you can’t get fired from…I got fired from.
Three weeks into my legal career, it was over.
Looking back on it now, it was the best thing that ever happened to me. If they hadn’t fired me, I don’t think I ever would have had the courage to quit being a lawyer, to give up that six figure job and pursue my dreams on my own. But at the time, I was completely devastated. My world was crushed.
Thankfully I did have a back-up plan: I could go work for my father. Since I had trained my whole life for either law or business, if I can’t do law, I’ll just do business, right? My dad owns a successful restaurant company in South Florida, and I had a great idea for how to expand the concept and take it national, so let’s do that.
At first, the challenge of the business and the thrill of something new invigorated me. My dad has a great restaurant concept and we had a fantastic plan to expand it, but there was so much wrong with the way it was run, I had all kinds of problems to solve first.
The biggest were the employees. I wanted to fire most of the people who worked for my dad because they were either incompetent suck-ups or brazen thieves. I thought that because I was right and my name was on the door, my dad would back me. I was still young enough to think that being right was what mattered. You guys are probably still young enough to think that, but you’ll learn your lesson. Long story short, the employees were better at office politics than I was, and my dad ended up backing them.
I got fired. By my own father. From the FAMILY BUSINESS.
Seriously, go to Mizner Park in Boca Raton, Florida. There is a restaurant called Max’s Grill. My dad is in there 5 nights a week, you can ask him about it. Now that I’m such a success, he may hem and haw and make excuses, but make no mistake about it:
My own father fired me.
So there I was. 26 years old. Alone. Living in shitty Boca Raton, Florida. Fucking girls I couldn’t stand, like Miss Vermont. Fired from the entire legal profession. Fired from the family business by my own father. I had failed miserably at the only two things I had trained for in my life. Kicked out of the system I had bought into.
The funny thing is, I was still writing, and not having a job let me read a lot and work on my writing, but I was so brainwashed, it STILL didn’t occur to me that I could just be who I wanted to be and write full time.
It was actually in this period that I wrote the Sushi Pants Story–it ends with me drunk, and I drive to my office and type that story to email to my friends. Whats really funny is that the format I use, the time stamp format, people have lauded me as being a genius for inventing that, but thats bullshit. You know why I wrote it like that? Because I was too drunk to write in complete sentences!
Then, with my world as bleak as it had ever been, three things happened right in a row:
First, I read a book called AHBWOSG by Dave Eggers. At the time it was hailed as a comedic masterpiece, and Eggers was seen as the next big thing in literature. I read the book and thought, “What the fuck? I can do better than this.” But instead of manning up and attempting to actually write a better book, I did what all envious people who abandon their dreams do when they see someone succeed where they are afriad of trying: I hated on him.
Then, my buddy PWJ called me one day, and had a long talk with me. He told me that the site was amazing, and that my stories are the funniest thing he’d ever read. That I could be a writer.
Hearing this from someone else, especially from a guy who I respected, meant something to me. Tucker Max as writer.
I wanted it, I considered it, but I still couldn’t make the leap. I was still having trouble wrapping my head around the idea of taking the path less traveled. I had bought into the system so fully, and abandoned my passion for so long, I no longer believed in it or in myself. It just didn’t seem realistic that I could do it.
Then I read Fight Club. If there is any one singular event that I can point to that set me on the course to who and what I am today, it is reading Fight Club. It woke something primal and fundamental in me.
I had seen the movie when I was in college, but until you have gone out into the world and worked a shitty job and thought to yourself, “Is this it? Is this why I went to school? For this?”, you can’t understand it. But once I read the book after the real world kicked me in the teeth, it clicked. It gave voice to something inside me I had not been able to elucidate before:
I had been sold a lie. Life was not about going to the right schools and getting the right jobs just so I work a job I hate in order to accumulate more crap I don’t want or need. That’s not how life was meant to be lived. There is another way. I can be the man I want to be, I can do the things I want to do and I can live the life I want to live…I just have to stop believing the lies I have been sold, and stop caring what all those people think who don’t matter, and find the courage to go out and do it.
The only thing stopping me…is ultimately me.
One month later, I went to a wedding in Chicago. I stayed with a buddy of mine who had just bought a two bedroom condo, and one of the bedrooms empty. I made a joke about wishing I lived with him, he replied “Sure, you can live here, why not?”
I never went back to Florida. The funniest part is that he was totally not serious about the offer–who the fuck would want to live with me? Disaster–empty beer cans, emotionally broken, funny walking sluts trapsing through the apartment at all hours, strange odors coming from unknown places–who wants to live with that? I don’t even want to live with myself.
On the morning of August 4th, 2002, I sat down at a blank computer screen and started working. It wasn’t even my computer–I had to get my roommate to let me borrow his. I had no money, nothing of value to my name, and no real plan at all. But I wanted to fucking write, so I just started writing.
A month later, on September 9th, 2002, the site went live. I was 26 years old, and for the first time in my life, I was being the man I wanted to be and living the life I wanted to live. I didn’t know how I was going to do it…but, I was going to either find a way, or make one.
The rest is pretty much history. I put up the site, then the book, then the movie, and now I am “Tucker Max.”
So–what the fuck does this have to do with the book? Well, the book is about this journey. It is a written record of me living my life the way I want to live it.
Yes, I write about having sex, and about getting drunk, and about busting on people and about being an asshole sometimes, and about all that shit. All of that surface stuff that people focus on so much is all there, but it’s not really the soul of the book.
Here’s the best way to understand that: Go read all the copycat blogs and books out there. There are so many people who have tried to imitate me, and every single one has failed miserably. Why? Because they think the stories are only about drinking or fucking or acting stupid, and since they think they do the same things I do, they can write about it the same way. But they can’t, because the stories are not about all that shit–they’re about one man’s expression of love for his life.
The specific things I do are just my individual way of expressing myself, but the book is ultimately about having fun, defining your own life, and ultimately, being the person you want to be, and THAT is what you should take from it, because THAT is what I Hope They Serve Beer In Hell is about.
Now look: I am not going to stand here and lie to you and tell you that I was thinking about all of this when I started writing the emails to my friends that became the stories in the book. That’s not only fucking ridiculous, it’s patently false. The stories in the book started as nothing more than what they are: My attempt to write something that would entertain me and my friends.
But that’s the point–I wasn’t trying to be anything or do anything aside from the simple things that made me happy, and writing those stories made me happy. I was never trying to invent a new genre or write a massive best seller or create a huge brand or get named one of the most influential people in America.
But guess what? A funny thing happens when you cast off all the bullshit everyone dumps on you, and just live for yourself and follow your dreams: What it takes to get you there shows up in the finished product. When you love what you do, it shows, and people respond.
Now, before I finish, I want to call some of you out. I can tell some of you are getting this, and that’s awesome, I hope this does resonate with you and start you on the right path.
But I know, I FUCKING KNOW, that some of you are sitting there, all skeptical, thinking to yourself “Whatever, this is just some bullshit inspirational speech he is making because he’s getting paid. I am different; this doesn’t apply to me.”
SHUT THE FUCK UP.
I am not some old fart blathering on about pie in the sky bullshit. You and I are almost the same. Ten years ago, I sat exactly where you are sitting, did the same shit you are doing now, and since that time, I have drank more beer, banged more girls and kicked more ass than all of you chewed bubble gum lackwit pussies put together! So don’t fucking try and say this shit doesn’t apply to you–that’s exactly why you love my writing, because you CAN relate to it.
I started where you are now, and I AM who you could be, if you have to courage.
Shit, I DID HEAR THIS SPEECH at 21 from some dope-smoking peacenik, and I told that fucking hippy minstrel to go back to his weed smoking and hating the World Bank and leave the real work to us. AND I WAS FUCKING WRONG. It took me another five years just to realize I wasn’t living the life I wanted.
And don’t you fucking dare get up in the Q&A and say some stupid shit like, “Yeah, that’s all well and good, but you didn’t tell me HOW I am supposed to live my life for myself.”
Man, fuck you too. You think I had a map to get to where I am? I had no fucking idea–I was winging it the whole time. Shit, I had to INVENT A NEW LITERARY GENRE!! There are no directions to life; you have to figure most of it out on your own. You want to live a life you love, you can’t do it in a paint by numbers style–you make it either because you want to free your soul or you don’t.
Make no mistake about it: What you do with your with your life is A CHOICE. You can be who you want to be, you just have to have the courage to go do it.
You don’t hear this from your parents or your teachers or your friends, because they never tell you the other option. You know why? It’s because they don’t know it exists. They tell you that to do what everyone one else is doing, they tell you that you have to get a safe job and be like all of them, BECAUSE THAT’S WHAT THEY DID.
But you don’t have to do that. There is another way. You can make the choice to do what I did. You can’t be Tucker Max, but you can recognize what you love, then find the courage to commit fully to it.
You can do it, but you have to choose to do it.
I know it can be done, because I did it.
And if I can do it, so can you.
Besides, let me ask you something: What’s the alternative? If you don’t live the life you want, what life are you living? A life you don’t want.
And if you don’t want your life, why are you even getting up in the morning?
Thank you guys, you’ve been great.

Haterz, worshippers, and making art

May 6, 2009

Over the past year, this blog has gotten a lot of attention from people who are already fans of me or Matt or Jesse or are for some other reason interested in the movie, and that was the primary point of the blog; to inform and include those people in the movie making process.
There is a second group of people that, especially over the past six months, have become avid readers: Young aspiring filmmakers, writers, producers and other entertainers. I know this because I get the emails from them all day, either thanking me for putting the blog up, or asking me for advice, or telling me about how the blog has helped them either in their careers, or for the really young ones, in their classes. This is great, and I am very happy that the experiences Nils and I have shared in this process have helped so many other people.
To that end–giving insight into the process of making a movie–I want to talk about something that never gets taught in any class, that never gets discussed on any panel, never gets written up in an trade magazine: How to deal with envy.
If you are reading this blog and you have aspirations of working at any level in the entertainment business, let me prepare you for what is ahead: A lot of people are going to tell you that you can’t do it. In some cases, there will be more people telling you that you can’t than those thinking you can. And worst of all, some of the people rooting against you will be close you; friends, family, loved ones, etc.
But if you have a little talent and a lot of determination and put in the work, you’ll make it. And once you do actually do it, whatever “it” is, some people will hate you for it. No matter what, someone is going to try to put you down or tell you that what did sucked, or that it’s not good because of [insert spurious logic here]. I started six years ago with nothing but a blank screen, and I am now a best selling author, inventor of a new literary genre, movie producer and entrepreneur, and people still tell me shit like that.
This is just life, yet no one really tells you this before you start. If you are brave enough to take a risk, you know you have a chance of failure, but you probably assume that any good person will wish you well. And most do. But some don’t (and they are invariably the loudest). They are the types who are miserable with their own lives and unhappy with themselves, and instead of directing that energy inward to fix their own issues, they direct it outwards and hate on those who try to succeed where they have either failed or were too afraid to even try.
You need to understand this and expect it to happen to you before you get into the business, that way you will be prepared to deal with it when it comes. Here is how you handle the haterz:
Ignore them.
You cannot be all things to all people, and no matter how great you are, someone will hate you. Even if you are perfect–literally perfect, with no reason for anyone to do anything other than love you–some people will hate you simply because you ARE perfect. Such is envy; it is all about how the envious person sees themselves and ultimately has nothing to do with you.
Furthermore, you WILL do it wrong at first. It’s not easy to bust your ass and work hard on something that you love, only to have some douchebag troll hate on you for it. That causes an almost involuntary emotional reaction the first time you deal with it. The key is not to ignore the emotion, but to consider the source, and realize that you have no reason to care what a person who hates their own life thinks about yours. Yes, feedback does matter, and yes, constructive criticism is necessary to improve, and yes, fans do matter–but I’m not telling you to ignore any of that. I’m telling you that all fans don’t matter the same.
There is another side to this also, a sort of corollary: You have to ignore the gushing worshippers too.
The people who think you are a god and walk on water and can do no wrong and should be lord emperor of all creation–and I get way more of those emails and comments than from haterz, like 20-1–those people are just as toxic to you and your work. Here’s why:
Neither the haterz nor the worshippers really care about you or what you do. They are simply using you as a proxy to fill some sort of hole in their soul. The haterz use you as a dumping ground for their self-loathing; the worshippers use you as a idol upon which to derive some sense of self from. Listen to the haterz and you’ll obsess over whats wrong with you or start to believe you are wrong; listen to the worshippers and you’ll start to believe you are invincible, that you can do no wrong and that if you do it, that’s enough for it to be right. Both perspectives are detached from reality.
If you want to work in the entertainment business, the point should be to make great art. Every job that doesn’t have “executive” in the title is ultimately about art, and art is not about hate or worship, it’s about expression and appreciation. Some art talks to lots of people, other art doesn’t, and if you want to be in the business of art then you need to focus on creating art that talks to a lot of people. But the people at the margins–those who harbor extreme hate or extreme worship–should be ignored at all costs, because they are not only a minority, they are toxic and dysfunctional and listening to either of them about anything is the easiest way to ruin yourself.
This may sound obvious, but I know a lot of people in this business, and not one of them dealt with this issue well at the beginning, and many were ultimately crippled by it. I think this is probably something you have to go through before you can understand it–like how Fight Club doesn’t make sense until you’ve had an awful job–but if you are getting started or thinking of getting started in an artistic career, remember this advice. It will serve you well.

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“It’s up to you.”

May 5, 2009

Yeah, I know. Let’s examine what I’ve done wrong over the last two months:
1. Promised an announcement by April 1st, then missed that date
2. Promised an announcement soon after April 1st, missed that date
3. Didn’t put anything else up on the blog in the meantime
#1 and #2 were out of my control. I’ll explain the whole process of how we arrived at our distribution partner(s) and why it took so long once the announcement is made, but there is no question that I made the problem worse. I should never have set a date or a time frame for when the announcement would come. I mean, the chances that it was going to take this long were less than 5%, but like the financial sector just learned, what happens when the unexpected happens, and you aren’t ready? You get fucked.
OK, so we took 6 more weeks than expected to put the entire deal together, that sucks, but what did I do in the meantime? Nothing, really. We had built up some great momentum on this blog, and then I let it all die because I waited for the distributor announcement, instead of filling the time with other pieces I could have been writing.
I was talking to Nils about this a few days ago–we were both frustrated by the pace of distributor negotiations and paperwork, and I was bitching and moaning about how stifled we were and how all the marketing plans and the blog were sitting here waiting, and how stupid the whole process was and how much better we could do it, blah, blah, blah–then I remembered serial versus parallel processing, and it all struck me at once: I was thinking JUST like all the people I rail against, and I was guilty of doing exactly what I was blaming them for.
Had I done EVERYTHING I could do in the meantime? Was I using someone else’s mistakes as an excuse to justify my laziness/failure/lack of action, or was I really out of options?
Come on. OF COURSE I was a sinner throwing stones. We all are.
Here I was, blaming all our problems on other people, when in fact at least a part of the blame was mine. Even though 90% of the marketing things we want to do require a solid release date and a trailer (both of which require a finished distributor agreement), the other 10% doesn’t, and we weren’t working on it. Even though 90% of the rest of the posts I want to make on this blog require the distribution announcement, the other 10% that don’t, I still wasn’t writing.
In the long run, the fact that it took 6 more weeks than it normally does to set the distributor, and the fact that I did very little during that time aside from wait, probably won’t affect much in regards to this movie. But it is a lesson that I have preached to others, and wasn’t following myself: Other people don’t control your fate. It’s up to you.
Regardless of when the announcement can be made, I will start posting again on a regular basis, which I should have been doing the whole time. [Of course, the irony is that it is highly likely the announcement will be made Thursday or Friday, but whatever, I have learned my lesson about putting a time frame on Hollywood negotiations.]
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